Joining the 2022 Magicians On Mission and Armed Forces Entertainment Magic & Comedy Tour
I’m honored to have been invited to join the Magicians On Mission and Armed Forces Entertainment Magic and Comedy Tour later this summer! I have hoped and prayed for an opportunity to use what I do to support and encourage our active duty military personnel deployed overseas. I’m beyond excited that this is finally going to happen! (NOTE: For security reasons, I will not be sharing the specific details of the tour locations until after we leave each base.)You can help, too! Visit www.magiciansonmission.org and click on the “Donate” option. You can make a one-time gift, or you can set up a continuing donation to become a sustaining partner. Even $5 per month would help us support one service member per year.If you know influential people, celebrities, or other people with meaningful platforms who might be interested in partnering with us, please contact me so I can introduce them to our founder, Chris Rose.Magicians On Mission is a registered 501(c)(3) non-profit organization.#magic #mentalism #magicians #mentalists #comedy #comedians #military #activeduty #armedforces #armedforcesentertainment #performingarts #supportourtroops
Speed and Swagger: Ten-Minute Trainer Guest Spot
Several weeks ago, I recorded a guest appearance on “The Speed and Swagger Ten-Minute Trainer,” a weekly podcast produced by Speed Marriott and Derron Steenbergen (aka Swagger). Their focus is primarily on issues relating to media sales, but with general applicability for sales and marketing. (I met Speed when we both spoke at the Mississippi Association of Broadcasters conference in January.) Click on the image below to watch the episode. #podcast #sales #media #magic
The Magical Night the Lights Went Out in Georgia
For the last five and a half years I’ve been a producer of Atlanta Magic Night, a monthly magic, mentalism, and comedy show with a rotating cast of local and national performers. I get to perform and MC the show sometimes, but I am also one of the “on call” people if a booked performer has a problem. As it turned out, one of the performers booked for our January show contacted me to let me know he had been diagnosed with shingles. That meant that I was suddenly on the bill for Saturday, January 11. We had a pretty good pre-sale even though the weather was gloomy, so off I went to our venue partner, Atlanta’s venerable Red Light Cafe. The sky grew progressively darker as I drove there, loaded in, preset props, and did my sound check. Sure, a little rain, but everything was going just fine… until a loud crack of thunder introduced a torrential downpour. The flooded parking lot suddenly looked like a theme park flume ride. Despite the increasingly scary weather, we opened the house as people were arriving anyway, bringing news of traffic and power outages and other fun things. No worries, we had power and music and lights and food. Then, maybe 20 minutes before showtime, the entire complex went dark. Rather than panic, I went to the piano and started playing so that there was background music. I took some requests from people in the dark house. I continued to improvise and play and chat. A little after 8:00 PM, the manager asked me what we wanted to do. I suggested we give it another 30 minutes, and he agreed. I explained the situation to the people that were there. Then I also explained that rather than have them leave with no show, that we would try something unusual so even if they didn’t get a full program, they would get a really neat story to tell. We rearranged the chairs and tables to create a small performing space on the floor. People took out their phones and turned on their flashlights. And there, in a dark club, with multiple LED spotlights, I performed a close-up magic show that nobody there will ever forget. I know I won’t. One of the club’s owners is also a tech for the Atlanta Opera. She has seen hundreds of performers, performances, technical glitches, entertainers, bands, and live theatre situations. Her comment on the night? “I have no idea how you pulled that together — entertaining those people during a power outage. You pulled it off, and I’m impressed. Seriously, one of the finer things I’ve witnessed. You’re on the list!” Ellen Claire Mills Our emcee for the evening was a local attorney who does magic on the side. When he sent the photo you see here, he also shared a comment that was inspirational to me: “This was beautiful. This is what magic is about. You are a riveting performer Joe, and a connector of thoughts and people.” (Thank you, Chris!) Sometimes “stuff” happens. You either can let an unpleasant, complicated, challenging situation stop you cold, or you can let it push you to create an #amazing experience for your audience even in the midst of the storm. And that’s something useful that we can learn from the magical night the lights went out in Georgia. Epilogue We sent everyone home. I packed everything away by flashlight. As I packed the last item into my case, the power came back on. Some things are simply meant to be.
The Lasting Power of Your Personal Brand
The Lasting Power of Your Personal Brand I have written and shared many articles about the importance of your personal brand. That brand is made up of not only the work you deliver, but also the way you dress, speak, and interact with others. The power of a strong personal brand is not only that people can remember you and the work that you do, but also that you are remembered when your product or service is mentioned. I recently received an email that made me feel like some of my own efforts in this area have been successful. Hello Mr. Turner, My name is Gram Smith. You may or may not remember me because I was so little but you used to perform magic at Norcross Station Cafe in downtown Norcross, Georgia. My dad’s name is Bruce and my mom’s name is Carolee, and my sisters are Callie and Parker. My siblings and I are redheads. I just wanted to reach out and say thank you for being such a kind and friendly person to my sisters and me while we were growing up. It made our Friday nights so fun at dinner because we would always ask, “Where is Mr. Joe?” or “I hope Mr. Joe comes.” I am starting a new chapter in my life. I am now a freshman in college at Middle Tennessee State University and studying aerospace to hopefully in the future fly for Delta Air Lines. My family and I still live in Norcross. But I was just thinking about stuff I did when I was younger and I thought of going to Norcross Station for dinner and remembering you sometimes being there performing. I was watching really funny comedy and magicians earlier and remembered you. I hope all is well and may God bless you and your family. Sincerely, Gram Smith Let’s take a look at a couple of important points. 1. A good brand creates experiences that endure. It has been at least ten years since I stopped performing at the restaurant in question. So the memory of our time together has proven to be lasting for this family, both adults and children. 2. A strong brand owns the mental real estate that a customer has set aside for that industry. Did you notice what happened at the end of the young man’s note? He was reminded of me and his experiences with my magic by watching other performers. Essentially, their work made him think of my brand. That is a principle that can apply to any business, any product, any service… any brand. Consistently deliver a quality experience and your brand will not only endure, but it will benefit from the work that others do in your space. Photo Credit: These photos are used with the permission of Malika Bowling of Roamalicious.com.
Atlanta Magic Night Celebrates 4 Years of Wonder
Atlanta Magic Night Celebrates 4 Years of Wonder City’s Longest-Running Magic/Mentalism Show Continues to Amaze ATLANTA – April 17, 2018 — Atlanta’s longest-running magic and mentalism show, Atlanta Magic Night, celebrates its four-year anniversary on May 5, 2018 at 8:00 PM at the Red Light Café in midtown. The show was launched in May 2014 and is produced by comedian Jerry Farber (https://jerryfarberscomedy.com), mentalist Mark Johnson (https://www.markjohnsonspeaks.com), and magician/mentalist Joe M. Turner (https://turnermagic.com). Farber is an Atlanta entertainment legend whose former comedy club, Jerry Farber’s Side Door, was the show’s original venue. “These guys really made it happen,” says Farber. “They’re top shelf performers and there was never a doubt in my mind that they’d connect with audiences.” Johnson, a mentalist, author, and communication consultant, originally approached Farber about putting together a team to produce a show. Said Johnson, “When we started there was no ongoing venue for live magic anywhere in Atlanta. We changed that, and the success of Atlanta Magic Night has been deeply rewarding. Not only do we have terrific shows, we also have a growing community of people who are seeing professional magic. And we couldn’t have done it without the early support of Jerry Farber. He has helped us so much along the way.” Turner, a magician, mentalist, and professional conference keynoter, previously produced a one-man show, Shenanigans, in Atlanta from 2005 to 2008. “Producing a show can become an all-consuming task,” he said. “Working with Jerry and Mark made it not just more efficient, but also just plain fun. I think the vibe of the show, and really the whole brand, reflects that. It’s funny, even a little irreverent, but always coming through with an impossible magical experience. And it’s clear the city wanted that experience, because we are consistently selling out. The Red Light Cafe has been a fantastic venue for us and we are grateful.” The show features a different line-up of magicians and mentalists each month. The anniversary show on May 5 will feature Johnson, Turner, Paul Sponaugle, Howie Marmer, with a planned guest appearance by Farber. Tickets are available via Eventbrite.com, RedLightCafe.com, and AtlantaMagicNight.com. Contact Atlanta Magic Night | Joe M. Turner, Producer
What I Learned from 3 Islands and the Tango
What I Learned from 3 Islands and the Tango In late February I traveled to Auckland where I fulfilled a speaking engagement before embarking on a cruise through the south Pacific. Now that I’m back, here are a few lessons I learned. New Zealand: There’s no substitute for the personal touch. While in New Zealand, my wife and I stayed for a few days with our friends Alan & Michele Watson. We’ve traveled extensively and stayed in hotels and Airbnb lodging, but there’s no better way to experience the world than in the company of friends. Wherever you go, if you don’t have some, make some. For the record, Alan Watson – a recipient of the Queen’s Service Medal, by the way – may be the hardest working, most dependable, highest attention-to-detail man in show business. He has unbelievable dedication to the art, to his own work, and to his friends. Tonga: Raging storms can slow, but never stop, the determined. We had lunch at Oholei Beach Resort and the owner described the rebuilding they’ve done after many cyclones and life challenges. Faith, family, and personal determination have kept them going. If you visit Tonga, make sure to see their show in the beautiful Hina Cave, right on the beach. Dancing, music, fire-eating, and a beautiful island legend make for an unforgettable experience. Aitutaki: Don’t assume the answer is no; ask for what you need. While having a drink at Aitutaki Village resort overlooking arguably the planet’s most beautiful lagoon, I met a couple who had bicycled to the lagoon from another resort several miles away. They were hot and exhausted, and wanted a drink. Unfortunately, they didn’t have enough Cook Island currency to buy more than one, and the credit card machine was down. They assumed they had no other options, so they were beyond surprised when I told them that the bar accepted U.S. dollars. The exchange rate was not ideal, but it was an option they didn’t know they had. By the way, I had paid with U.S. dollars and asked for my change in the local currency. Among other things, Cook Island has a $1 coin, a $2 shaped like a triangle, and a $3 bill! The Tango: Beginner action trumps expert stalling. While on the ship, my wife and I resumed the ballroom dance classes we started on our last cruise. It takes courage to learn something in class one afternoon and then attempt it on the floor that evening, especially when you are surrounded by people with vastly more experience than you have. Sometimes it would take us a while to work up the nerve. But once we were out there, it was worth the effort even with my clumsy missteps. Lesson? Don’t let fear or limited tools stop you from starting. Use the words, tools, and steps that you have and take action. You can keep watching and learning, but don’t deprive yourself of the joy of using what you know. The least experienced dancers on the floor are learning much more than any who are judging them from a chair.
The Research Stall
The Research Stall Let’s face it. Even the least change-averse person among us still has a resistance to change. Even the change champion feels hesitation. Sometimes we find ways to disguise our resistance and delay action even when we want to move forward. Consider the following. An Ongoing Magic Debate Last week I answered an online question from a fellow magician in a private forum. His question related to a technique that is used in card magic, a genre of the art which I have studied for almost my entire magical life. It is a technique that requires not only a significant investment of time and effort to learn, but also consistent, ongoing practice to maintain. It’s not a trivial skill to develop, and multiple versions of the technique have been developed. In the last 30 years or so it has truly caught fire within the industry and new developments on the principle are being released constantly. As a result, there is an ongoing tension about which approach to the principle is “best.” There are two primary approaches that have the lion’s share of the market. A new entry within the last few years is gaining traction. And there are a dozen other players each of which has vocal advocates. The debate about which is “best” comes up often, attracting comments from long-term adherents to recent adopters to new converts. My answer to the “which approach is best” question was to investigate the options, decide which approach had features that best suited his style, and to remember that whichever option he chose, the vast majority of experiences he could create using that technique were actually achievable using all of the available approaches. From the audience’s perspective, relatively few things were completely dependent on this choice. It was mostly a matter of what fit his own preferences and got him to take action. The technique is a tool, and there is much less profit in constantly agonizing over the debate than in making an informed decision and moving forward with implementing it. Unfortunately, many magicians spend so much waiting, second-guessing, and debating the merits of the approaches that they miss out on literally years of performance time when they could have been amazing audiences and learning performance lessons that they could apply to the work even if they ultimately changed their preferred approach later. Doesn’t This Sound Familiar? In the true story above, you could probably replace magic with almost any industry, and the specific technique in question with almost any decision that people have to make about tools and methods. In any change management situation, it is obviously important to do due diligence, do the research, and compare what you learn to what your specific needs and preferences are. But… Beware the inertia of the debate, the questioning, the “what if”-ing. There is a comfort in knowing that your delay in taking on the actual work is reasonably covered by the excuse of continuing your research. In change management, as in magic, things are not always quite what they seem. Change advocates and leaders can still be privately afraid of actually moving forward. An endless review loop is a good way to feel like you’re leading change even while you’re stalling! Are you stalling with a research excuse? Your audience is waiting.
Small Action, Big Impact
Small Action, Big Impact Have you ever considered the impact that a small action or decision can have on your audience? Something you consider minor can have an enormous impact on a customer, client, or anyone else who is paying attention to your brand. Here’s a real-world experience that may give you something to think about. So What Actually Happened? Last year I was invited to perform for a corporate client’s holiday party at a beautiful venue in Nashville, Tennessee. Despite unprecedented amounts of ice, snow, and multiple transportation obstacles between my home in Atlanta and the venue in Nashville, I still made it and let me tell you — I have never been so happy to get to work! (The story of overcoming those obstacles is a story worthy of an entire post of its own. Stay tuned!) For this corporate event I provided background piano music, strolling close-up magic, and an after-dinner cabaret magic and mentalism show. That stand-up magic show included a number of pieces that required help from the audience. Choosing assistants from an audience is part art and part science. As the performer, you are observing and evaluating countless characteristics. Is this person smiling and open? Refusing eye-contact? Have they enjoyed the show so far, or have you sensed some kind of tension? Are they obviously having a bad day? Are they wearing glasses? Do they need a cane? Does their behavior seem predictable or erratic? Will the stress of being onstage with you excite or terrify them? Will their participation give the audience more enjoyment, or will it create tension? You may not always be able to know the precise answer to all of these questions, but over time you develop a gut instinct for what makes a good fit in each “guest star” role of your show. I was looking for an audience assistant for a part of my show near the end, and as I scanned the audience I caught the eye of a young girl. She was anxious to help, and might have been a good fit if I were doing a show that was designed for young assistants… but in this case, she wasn’t quite what I needed. I smiled, said as politely as I could that I was going to need someone else, and moved on in my search. I was packing up after the show when she and her dad came by to speak. They were super polite and he simply said that she wanted to talk with me. It was clear that she was disappointed, but she mainly just wanted to interact with me. I thanked her for her willingness to to help and got an address. Later on, I sent her a pack of my personal playing cards as a souvenir. She sent back the thank-you card pictured in this article. Three Decisions and Their Aftermath Let’s look at some decisions that were made and what impact they had. First, no matter how politely I moved on from that moment, I consciously chose not to use this child in my program. In my work I either choose or don’t choose hundreds of people in every show. To me, the moment I decide to move on is a drop of water in an ever-flowing river, and I have very good reasons for those decisions. But to a person in my audience, they might never have been at a show with a performer who was using audience participants. They might catch my eye only one time during the show, and if I don’t choose them… that feels very different. If they have invested emotionally in the moment, it can be truly disappointing. Even adults know how disappointing it is to feel that we’ve been “passed over” for an award, or a promotion, or even a sale. We may have more maturity and more emotional tools for dealing with that and building on it, but it’s still a downer. My small action, no matter how necessary it was, nor how unintended any offense, had a disproportionately negative impact on that young lady. Fortunately, they told me about it rather than keeping it secret! Next, after finding out that the young lady was disappointed, I took action. I chose to send a gift and a short note of encouragement. This was another minor decision, as I have decks of cards on hand and it cost me next to nothing to put together a little gift. But the act of doing so was about more than my own reputation management – it was also intended to help a real person feel real joy. It is almost trivial to take a moment to attempt to bring genuine joy to someone who you know needs it. (Psssst — everyone needs it!) Finally, the young lady responded to what I thought was a trivial gift with a thank you note that she made herself! Clearly, my small actions had a big impact, but her thank you note also did – it was the impetus for this article, and a great illustration of core customer service and branding principles that everyone can learn from. What Can We Learn About Customer Service and Keeping Our Brand Promises? Here are some questions to consider: – Do your business processes have built-in decision points that can generate genuine disappointment for some people? (Pssst – the answer to this question is always “Yes.”) – Do you have channels open to find out about those situations? – Are you willing to evaluate those concerns, prioritize them, and address them? – Are you celebrating the successes of doing so, so that others in your audience can see your brand honestly trying to live up to its promises? In any business, you will sometimes have to make decisions that mean some people don’t get exactly what they wanted. However, with thought and effort, you can take some disappointing outcomes and still frame them in ways that emphasize your organization’s commitment to
Atlanta Magician and Atlanta Speaker Turner Interviewed on “Cringe” Podcast
Atlanta Magician and Atlanta Speaker Turner Interviewed on “Cringe” Podcast Marc van Bulck, a Presbyterian pastor in Ohio and a magic hobbyist, recently interviewed me for his podcast called “Cringe.” Marc’s podcast is subtitled, “Conversations with Nerds, Artists, and Theologians” – and perhaps all of them apply in this case! In this episode we talk about how the theatrical arts like magic can help people overcome the urge to be vitriolic and engage in healthy communities of dialogue where we can learn from each other. You can download the podcast or listen online at the following link: UPDATE: Alas, many years have passed and the audio of the podcast no longer appears anywhere on the web that I can find it.
Turner Performs in All-Star Atlanta Magicians Show at Tucker Rec Center
Turner Performs in All-Star Atlanta Magicians Show at Tucker Rec Center Last week, I joined four other Atlanta magicians onstage (plus another half-dozen in crew and backstage support) in a community relations effort on behalf of the Georgia Magic Club, Ring 9 of the International Brotherhood of Magicians. On Wednesday, June 3, members of IBM Ring 9 – The Georgia Magic Club produced an all-star magic show for the students attending DeKalb County’s “Camp Superstars” at the Tucker Recreational Center in Tucker, Georgia. The performers included Paul Sponaugle, Merritt Ambrose, Debbie Leifer, and myself, with current Ring 9 president Dale Adamson serving as master of ceremonies. I was honored to be asked to be the closer on a show in which all the performers and the MC had been voted “Greater Atlanta Magician of the Year” at least once, and in some cases multiple times. Ring 9 members West Evans, Mike Dunagan, Martin Baratz, Gene Hendrix, Dan Garrett, and Jim Mangham served as the technical and stage crew for the show, and current Ring 9 Vice President Mark Hatfield was the producer. Every performer brought something special and unique to the show. Paul Sponaugle has an engaging wit and impeccable comic timing, and he interacted perfectly with his chosen volunteer in a magical torn and restored paper routine. Merritt Ambrose performed a classic broken and restored balloon string trick, and finished by making his table float in the air. Debbie Leifer delivered a strong presentation which climaxed with the continuous production of coins from the air, during which she was assisted by a youngster whose reactions were as magical as the trick itself. During my own segment, I got some terrific screams by causing the audience to see my head shrinking and growing in a strange optical illusion. After some comedy balloon sculptures, I caused a young boy’s signed playing card to vanish while he was holding the deck of cards, only to appear in a previously inflated and tied balloon. I then closed the show with a classical stage illusion in which a young girl is suspended in the air between two chairs. The program, which entertained somewhere on the order of 250 kids aged 5-15 (plus at least a dozen adults), was not just a great way to engage and support activities in the greater Atlanta community, but also a way for Ring 9 to progress toward award status within the International Brotherhood of Magicians. “Honor Rings” are designated by the international organization for chapters, or Rings, which attain specific membership and programming criteria. I am thrilled to be part of Ring 9, the Georgia Magic Club. I served as Ring president in 2000 and 2001 – just a few years after joining the club in 1998 – and I have been an active board member for most of the years since. I can easily assert that I would not have the career I have now, nor would I have pursued leadership roles at the international level, without the support and encouragement of so many of the members of IBM Ring 9. While performances for children’s groups are not my primary market, I considered it a privilege (as well as a lot of fun!) to participate in this project. I thank Ring 9 vice president Mark Hatfield for inviting me to be part of the show, and congratulations to the cast and crew on a job well done!
